Friday 29 April 2016

Missing Gregory Porter





I first recognised the talent of Gregory Porter a number of years ago as I listened to Jazz FM’s Dinner Jazz with Helen Mayhew or Sarah Ward. I am unable to remember which presenter it was. The presenter mentioned that Mr Porter was playing at Pizza Express in Central London and tickets could be won if I entered a raffle. I promptly did and was not chosen to go and see Gregory Porter. Disappointed I noticed as Mr Porter rose to international acclaim with his 1960 What? Song which was notable for his rousing call to bear witness to the efforts of the civil rights movement in the 60’s. He was nominated and then won a grammy in 2014.

Skylark
Have you anything to say to me
Won't you tell me where my love can be
Is there a meadow in the mist
Where someone's waiting to be kissed

My writing is to pay homage to a generous friend who invited me to attend a Gregory Porter concert in London. To which I turned down. CDC’s invite was a call to see and hear a great singer share his magic. Usually I would have jumped at the chance as I have wanted to see Mr Porter for about 5 years. To explain, there were 2 good reasons why I did not attend.

One reason was as a result of having a client and the second reason was for my monthly external supervision.

Skylark
Have you seen a valley green with spring
Where my heart can go a-journeying
Over the shadows and the rain
To a blossom covered lane

To cancel a client appointment to go and see a long admired singer is not reason enough for me. I would not count myself as virtuous or saintly. I feel strongly that an investment in time has been made by the client and I wanted to honour that. I also acknowledge the commitment every client I work with has to engage with counselling. In truth I enjoy my work. I am currently involved with a piece of work where I walk and talk along the Thames. I have wanted to take part in Walk and Talk therapy along the Thames since I had the idea 4 years ago. Now that I am walking my dream, not even an invite to see Gregory Porter could pull me away.

And in your lonely flight
Haven't you heard the music in the night
Wonderful music, faint as a will o' the wisp
Crazy as a loon
Sad as a gypsy serenading the moon

The person I am working with is an artist and I enjoy what they share and how they see the world. The walking invites a reflexive quality in engaging with therapy in a natural environment. The client and myself collaboratively address their challenges, successes and acknowledge how new ways of seeing a problem can be worked into their life. Every walk differs, the weather, light, season, other path users and sights inform the discussions. What can be assessed as useful is adopted in the session. On this evening’s walk we passed 2 paddle boat cruisers, docked yet standing out with their large chimneys. It was like we had miss-stepped the Thames and had been transported to the Mississippi of the 1920’s.

To have missed a walk and talk therapy session for Gregory Porter could have presented me with an unanswerable dilemma that did not offer either me or the client with comfortable outcomes. To delay gratification was a simple and fair choice. The alternative would have been to have postponed the client and supervision for Gregory Porter. I would then have spent the evening listening yet not connecting with his artistry, as I wondered about both my client and how Supervision would have been.

For the 6 years I have had Supervision I have worked with 3 very experienced counselling supervisors. Each one has gently supported my growth as a counsellor, reassuring me when I feel I have made an error with my work, sharing either personal insights or helping me to see things in a number of different ways.

My current external supervisor is no different. He has a way of helping me go beyond regular thinking and into new realms of thought, empathy and compassion. I shared my dilemma of wanting to go and see Gregory Porter or meet with my client and then see him – my supervisor. He smiled and nodded. I told him of the story as written above and he said ‘It is a great song.’

Skylark
I don't know if you can find these things
But my heart is riding on your wings
So if you see them anywhere
Won't you lead me there

For the past 3 years I also have peer supervision which differs slightly as they, my peer, are on a similar page to me in their counselling journey. The support offered here is similar to a gym training partner. Supervision is a necessary component of my work and I value it’s usefulness and what is shared. I realise that maintaining a component of humility, holding my work forward to be offered as a showing of my craft helps to keep me and those that I work with safe. I recognise that professional boundaries are useful in helping to frame the work.

When I first heard Gregory’s version of Skylark it was an instant Jazz favourite of mine. There is a powerful vulnerability to his phrasing that has me press repeat each time the song ends. As a non-singer I appreciate how hard Gregory has worked to offer his rendition. The last 20 seconds of Skylark melt me each and every time, I know the song is coming to an end I am hoping for a little more in it, something additional that would let me put the song to rest. Gregory pleads with an earnestness that is beguiling keeping me in check. Inviting me to hear the crash of the keys and the fading of the horn as his voice recedes…

Skylark
I don't know if you can find these things
But my heart is riding on your wings
So if you see them anywhere
Won't you lead me there

Skylark by Gregory Porter https://youtu.be/2Ej6Wr7i6C8

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